"Asa" is a Local Ghanaian ( twi ) word which Simply means Dance. Ashanti, Asante, or Asante Twi, is one of three literary dialects of the Akan language of southern Ghana .A must watch Video ... I present to you ASA by M.anifest featuring The Queen of Ghanaian Soul Music Efya..
The strive for success
The insufficiency of man, makes me like OLIVER TWIST always wanting for more.
I have had my GREAT FALLS like HUMPTY DUMPTY ,
but unlike him I GOT UP TO PUT MYSELF TOGETHER.
No man is perfect, I might be accused for soo many wrong doing,
but just like MOHANDAS KARAMCHAND GANDHI, i will always stand up for the TRUTH.
Thursday, November 15, 2012
Asa By M.anifest Ft. Efya
"Asa" is a Local Ghanaian ( twi ) word which Simply means Dance. Ashanti, Asante, or Asante Twi, is one of three literary dialects of the Akan language of southern Ghana .A must watch Video ... I present to you ASA by M.anifest featuring The Queen of Ghanaian Soul Music Efya..
Wednesday, October 10, 2012
Saturday, October 6, 2012
Monday, August 6, 2012
Hope For A Better Tomorrow
Yet another Poor display from TEAM GHANA ( Ghanaian Contingents) at the London 2012 Olympics. And the Question one can ask is that; "Are these the finest athletes Ghana has?" or "Was our presence at the London Olympics just a waste of time and money?"
History
Ghana first competed at the Helsinki 1952 Olympic Games under the name Gold Coast.Summary of Olympic and Paralympic Games Appearances.
Medals per sport | ||||
Sport | Gold | Silver | Bronze | Total |
Boxing | 0 | 1 | 2 | 3 |
Football | 0 | 0 | 1 | 1 |
Total | 0 | 1 | 3 | 4 |
Medals per year | ||||
Year | Gold | Silver | Bronze | Total |
1960 | 0 | 1 | 0 | 1 |
1964 | 0 | 0 | 1 | 1 |
1972 | 0 | 0 | 1 | 1 |
1992 | 0 | 0 | 1 | 1 |
Total | 0 | 1 | 3 | 4 |
A Better Tomorrow
Surely the is hope for a better tomorrow even though i can't tell you the time range exactly but it would be soon. But hoping it would be in time for the All African games in 2015. The 2015 All-Africa Games to be beheld in Brazzaville, Republic of the Congo.Ghanaian s' would love to see a very youthful (from as low as even 17 years if possible) Athletic squad being taken. Instead of the old and fading out athletes like Aziz Zakari, Vida Anim and Ignatius Gaisah . That would be the first step in preparing the Upcoming Athletes for bigger challenges in Life (Olympics, IAAF & etc).
Micheal Owusu-Peprah A future Olympic Medalist for Ghana100 meters and 200 meters athlete. Ghana's fastest under 20 athlete.Training very Hard to lift the flag of Ghana high in years to come. He runs below in the 10sec range (NB: below 11 seconds)at his age.
He is just one out of the many unknown Ghanaian Athletes working very hard to make it, through determination and hard work. In September 2011 Modern Ghana article on him : http://www.modernghana.com/sports/352524/2/michael-owusu-peprah-is-back-from-germany.html
Micheal Owusu-Peprah in Germany ( July, 2012).
Micheal Owusu-Peprah (Ghana's future Olympic medalist)
Micheal Owusu-Peprah finishing 1st in a Race in Germany .
Watch out for more updates on Micheal Owusu-Peprah.Would be coming out with more prominent and promising Ghanaian Athletes working and training really hard .
: http://www.facebook.com/michael.owusupeprah
Thursday, June 7, 2012
Wednesday, May 16, 2012
Back To Basics.
It's all about the highly anticipated yet to be released single, Back to Basics
by up and coming artist Screech_OnD_TraQ.
This would be his second release this year.
Information reaching me says he is busy working on his 1st Mix-tape.
GHspotligh promises to bring more update on his Mix-tape.
You can follow him on twitter @Schreech-OnD_TraQ or
Tuesday, May 15, 2012
The Genesis of Hiplife/Hippop(Gh Rap) in Ghana
The trend of music in Ghana is very fascinating. Taking a good look at how it all started.
Hiplife is a Ghanaian musical style which fuses highlife and hip hop It is also influenced by dancehall and reggae. Recorded in Ghanaian languages such as Twi, Ewe Ga and fused with a bit of English or even French, hiplife is rapidly gaining popularity throughout West Africa and abroad.
The origins of Ghanaian hip hop goes back to the 1980s, when performers such as K.K. Kabobo and Gyedu Blay Ambolley as early as 1973 with Ambolley's release of his first record, The SIMIGWADO ...a "semi-rap style hi-life" to a small audience which showed him performing highlife variations with fast spoken, poetic lyrics. Ambolley would go on to be held the "father of rap" not only in Ghana but in the world. With time, Ghanaians became influenced by American hip hop, reggae, dance hall. There was an emerging underground hip hop collective in the capital Accra
Hiplife's history dates back to the early 1990s when Reginald "Reggie Rockstone" Ossei
began to craft this art form with producers Mike Cooke, Rab Bakari,
Zapp Mallet and Coal house. Chief G and the Tribe was one of the first
rap groups in Ghana consisting of Chief G (now known as Jay Ghartey),
Abeeku and Kwaku T. After they broke up before Reggie's foray into what
is now termed hiplife, Talking Drums, consisting of Kwaku-T and Bayku,
experimented with choruses and hooks in local languages. In Twi, Reggie
would flow over hip-hop beats a style that had been used previously in
Mahoney P's debut album Kofi Babone. That same era Native Funk Lords
group (NFL) came out with the pidgin rap; the originators of the genre,
from the Kay's Frequency camp: Tinniequaye, Cil, Jake & Eddy Blay;
this group also took inspirations from bands like the Osibisa and
Ghanaba of Ghana. It is also to be noted Rapper and Producer Cavell was
also part of the original NFL collective and is now known to many as The
Mantis. Reggie Rockstone has been described as the "Godfather of
Hiplife" since he spawned a new music genre in the country, After his
debut album Makaa Maka, with the hit single Choo boi, several hip life
acts followed. Oddly enough, in several radio interviews in 2004, Reggie
Rockstone stated that he does not perform hiplife this could be mainly
attributed to the fact that he now prefers to rap in English. A new era
was born late 1998 when a young producer Hammer of The Last Two emerged with original beats plus precision rap artistes. Hammer, born Edward Nana Poku Osei was only 22 years old. Hammer of The Last Two
managed to fuse hip hop grooves with local tempo and sweet melody which
caught up with both the elite and masses instantly. Known for his heavy
drums and lead trumpets, Hammer's originality elevated hiplife to
greater heights and inspired and influenced a whole generation of
producers like Richie, Kill Beats, Jayso, EL etc. Hammer of The Last Two's groomed artiste line up also eventually became some of the biggest artiste in hiplife today...e.g. Kwaw Kesse, Ayigbe Edem,odeshi, Obrafour, Tinny, Sarkodie
etc., Other Ghanaian rappers like Lord Kenya, Obour, V.I.P, The Native
Funk Lords (Rapping mainly in pidgin English), Castro Destroyer and
MzBel continued the trend of hiplife music which is now one of the most
popular forms of music in West Africa
The most popular Hiplife musicians include Tic Tac, Sarkodie, Vision in Progress (VIP), Asem, Obrafour, Ayigbe Edem,odeshi, D-Black, Castro and Samini who won a MOBO award for his contribution to hiplife in 2006. Since the rise of these popular musicians, hiplife has grown in popularity abroad.It must be said though artists like Ayigbe Edem, Kwaw Kesse, D-plan, Richie, ASEM, Sarkodie, Yaa pono, Keps, Lil Pope, Dirgen, Bra Kevin Beats, Greenfield,Iscream.
In 2009 Ghanaian filmmaker, Mantse Aryeequaye, released a documentary focusing on the political history of the hip life movement in Ghana as well as hip-hop music amidst various political climates in the nation. In his film, Rhythm Rising, Aryeequaye also examines many famed Ghanaian artists such as Kwaw Kese, Kwaku Tutu and Obrafour through their experiences within hip life or hip-hop movement. The film works to explore and expose the culture of the hip life movement against the backdrop of Ghana's political environment.
Hip life in Ghana is sticking to a new trend of rhythm and this is mainly being influenced by great music engineers like Kill Beatz, Dj Dijoe Pie-Sie, Jay So looney, Richie, Kaywa and Hammer of The Last Two
and many others.
It must be noted that hiplife can cover a broad range of musical styles fused together. Artists such as Samini combine reggae/dancehall/ragga scat and patois-tinged sounds of Jamaica with Akan-language lyrics over reggae rhythms fused with Ghanaian melodies. His music is branded by the general populace as hiplife. Then there are artists such as Fritz, Chempe and some others who do not rap or 'DJ' per se; but sing with a heavy R&B influence. Verses; bridges and choruses may be in Twi or sometimes mixed with english, but the structure and the rhythm fusion is suspiciously based on American R&B. But he and other artiste like himself can fall under contemporary highlife.
Second Part would be out soon.
Hiplife is a Ghanaian musical style which fuses highlife and hip hop It is also influenced by dancehall and reggae. Recorded in Ghanaian languages such as Twi, Ewe Ga and fused with a bit of English or even French, hiplife is rapidly gaining popularity throughout West Africa and abroad.
The origins of Ghanaian hip hop goes back to the 1980s, when performers such as K.K. Kabobo and Gyedu Blay Ambolley as early as 1973 with Ambolley's release of his first record, The SIMIGWADO ...a "semi-rap style hi-life" to a small audience which showed him performing highlife variations with fast spoken, poetic lyrics. Ambolley would go on to be held the "father of rap" not only in Ghana but in the world. With time, Ghanaians became influenced by American hip hop, reggae, dance hall. There was an emerging underground hip hop collective in the capital Accra
Gyedu Blay Ambolley |
K.K Kabobo |
The most popular Hiplife musicians include Tic Tac, Sarkodie, Vision in Progress (VIP), Asem, Obrafour, Ayigbe Edem,odeshi, D-Black, Castro and Samini who won a MOBO award for his contribution to hiplife in 2006. Since the rise of these popular musicians, hiplife has grown in popularity abroad.It must be said though artists like Ayigbe Edem, Kwaw Kesse, D-plan, Richie, ASEM, Sarkodie, Yaa pono, Keps, Lil Pope, Dirgen, Bra Kevin Beats, Greenfield,Iscream.
In 2009 Ghanaian filmmaker, Mantse Aryeequaye, released a documentary focusing on the political history of the hip life movement in Ghana as well as hip-hop music amidst various political climates in the nation. In his film, Rhythm Rising, Aryeequaye also examines many famed Ghanaian artists such as Kwaw Kese, Kwaku Tutu and Obrafour through their experiences within hip life or hip-hop movement. The film works to explore and expose the culture of the hip life movement against the backdrop of Ghana's political environment.
Hip life in Ghana is sticking to a new trend of rhythm and this is mainly being influenced by great music engineers like Kill Beatz, Dj Dijoe Pie-Sie, Jay So looney, Richie, Kaywa and Hammer of The Last Two
and many others.
It must be noted that hiplife can cover a broad range of musical styles fused together. Artists such as Samini combine reggae/dancehall/ragga scat and patois-tinged sounds of Jamaica with Akan-language lyrics over reggae rhythms fused with Ghanaian melodies. His music is branded by the general populace as hiplife. Then there are artists such as Fritz, Chempe and some others who do not rap or 'DJ' per se; but sing with a heavy R&B influence. Verses; bridges and choruses may be in Twi or sometimes mixed with english, but the structure and the rhythm fusion is suspiciously based on American R&B. But he and other artiste like himself can fall under contemporary highlife.
Second Part would be out soon.
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